Friday, January 3, 2020

Literary Foils Of Pride And Prejudice By Jane Austen

â€Å"Distinguished by her sisters†: Literary Foils in Pride and Prejudice The bicycle, the tin can, the steam locomotive, exercise, and the Bennet sisters; all of these were creations that came from Regency England. All of these things have had a lasting effect on modern day society. While the Bennet sisters seem the least important, the story of their lives provides modern society with insight into how the upper class in Regency England lived. The Bennet sisters themselves are an eclectic group of girls; each one has her own distinct personality. In Pride and Prejudice by Jane Austen, the minor characters: Mary, Lydia, and Kitty, serve as literary foils to glorify the good traits of the major characters: Jane and Lizzy. Of the five Bennet sisters, three of them get engaged/married throughout the book. Of those three, Jane and Lizzy have happy, loving marriages. The other marriage, Lydia’s marriage, was forced due to her scandalous relationship. Jane was ecstatic to be engaged and was truly in love with her fiancà ©: â€Å"Oh! Lizzy, why am I thus singled from my family, and blessed above them all! If I could but see you as happy! If there were but such another man for you†(Austen 300). Jane, and later on Lizzy, got engaged to a wealthy upper class man who she truly loved. Lydia’s relationship did not begin as joyfully as her sisters’. Lizzy demonstrated the issues of the marriage perfectly: â€Å"How Wickham and Lydia were to be supported in tolerable independence, she could notShow MoreRelatedJane Austen s Pride And Prejudice1115 Words   |  5 Pageseach one has her own distinct personality. In Pride and Prejudice by Jane Austen, the minor characters: Mary, Lydia, a nd Kitty, serve as literary foils to glorify the good traits of the major characters: Jane and Lizzy. Of the five Bennet sisters, three of them get engaged/married throughout the book. Of those three, Jane and Lizzy have happy, loving marriages. The other marriage, Lydia’s marriage, was forced due to her scandalous relationship. Jane was ecstatic to be engaged and was truly in loveRead MoreThe Character of Lady Catherine de Bourgh In Pride and Prejudice1175 Words   |  5 Pages Although typically overlooked by the inattentive reader, the minor character can serve a myriad of literary roles from adding to the overall story elements to distinguishing the character’s impact on the plot. In Pride and Prejudice by Jane Austen, minor characters play a paramount role in advancing the plot, reinforcing Austens tone, and uniquely contributing to the work as a whole. Surprisingly, the impact of a certain minor character upon the work is illuminated as well as expatiatedRead MoreJane Austen s Pride And Prejudice Essay968 Words   |  4 Pagesown distinct personali ty unlike the others. In Pride and Prejudice by Jane Austen the minor characters: Mary, Lydia, and Kitty, serve as literary foils to glorify the good traits of the major characters: Jane, and Lizzy. Of the five Bennet sisters, three of them get engaged/married throughout the book. Of those three Jane and Lizzy have happy, loving marriages, the other marriage, Lydia’s marriage, was forced due to her scandalous relationship. Jane was ecstatic to be engaged and was truly in loveRead MoreNervousness in the 19th Century1283 Words   |  6 Pagesaccording to Dr. George M. Beard, â€Å"strictly deficiency or lack of nerve-force† (American Nervousness, vi) in the 19th century. Nervousness at the time, was commonly acknowledged and accepted, so much so that it was written into literature, such as many of Jane Austen’s works. Many doctors considered nervousness to be a â€Å"woman’s disease† meaning that women were the most afflicted by this condition. Doctors of the 19th century have found excuses to restrict, restrain, objectify and metaphorically and literallyRead MoreMiss Mary Bennet, By Jane D. Austen1177 Words   |  5 Pagesone in the family, [ who] worked hard for knowledge and accomplishments,† (Austen 11) provides her readers with another perspective of the female sphere. Even at the Netherfield Ball, young Mary occupies herself at the piano, connecting rarely with others, and even more rarely dancing with a gentleman (Austen 48). Unlike her sisters, Mary Bennet has no preferences on males; â€Å"what are men compared to rocks and mountains† (Austen 73). Her devotions in her youth are centered in accomplishments, such as

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