373-502 Pitch Melody: Piece begins in C kidskin with several modulations end-to-end: oThe sec subject modulates to E mat major through the descending arpeggios in the duad passage oThe development is in F minor before modulating stick out to the sparkling water of C minor in the recapitulation oThe second subject in the recapitulation is in C major, the tonic major oThe speckle is back to C minor in the coda and at that place is an extended tutti perfect cadence from bump 496 to the end oThe modulations are of major and minor tonalities, a classical characteristic From banish 6 there is the use of imitation and sequences in the throughout t he strings before the whole orchestra restat! es the root word at cadence 18. There is then the return of the main melodic theme announced by the full string and wind sections and the horns, followed by sequenced variations. At bar 38 a new trashy and melodic ascending motif is introduced in the strings: The bridge circuit passage consists of descending arpeggios The second subject begins with the horn send for Balanced phrases are evident in...If you want to get a full essay, order it on our website: BestEssayCheap.com
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